Help concert-goers rub elbows with celebrities

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Opera stars like PlΓ‘cido Domingo, Maria Callas, Leontyne Price, and Beverly Sills used to appear regularly on late-night shows hosted by the likes of Johnny Carson and Ed Sullivan between the 1950s and 1980s. NBC even created an opera company in 1949 that televised operas in Englishβ€”featuring new works as well as established classics. NBC Opera Theatre was disbanded in 1964 and, since the 80s, the median age of concert goers has risen steadily while audience numbers have declined just as quickly. These days, opera singers only occasionally appear on talk shows and late-night showsβ€”notably Renee Fleming, Pretty Yende, and Kristin Chenoweth (yes, she’s a classically trained coloratura soprano.)

When Advisory Board for the Arts conducted a Jobs to Be Done study of current concert-goers in 2020, one of the jobs they uncovered was β€œHelp me see someone famous.” Adding in the emotional and social element creates a more complete JTBD:

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How can opera companies help potential audiences make progress on this need or β€œjob?” If concert-goers want celebrities, opera companies need to create celebrity. Opera companies might consider hiring a PR specialist who focuses their marketing efforts on building more buzz and celebrity around their singers and conductors, as publicists do for movie stars.

This delightful video introducing children to real live opera singer Angel Blue, with nearly 12 million views, offers a great example of how opera singers can be successfully pulled into mainstream media. I’d love to see more of this on social media and Youtubeβ€”and let’s bring back opera singers to talk shows and late night television!

And here’s another charming example featuring American mezzo-soprano Isabel Leonard:

Now let’s get some of these singers on shows that target adults!

Ruth Hartt

With one foot in the arts sector and the other in the world of business and innovation, Ruth Hartt is leading the charge to rebuild cultural audiences through the power of customer-centric marketing.

Her unique perspective merges nearly two decades of professional experience as an opera singer, choral director, and music educator with deep expertise in customer-centric innovation.

With a mission to revolutionize audience development, Ruth bridges the worlds of business innovation and the arts to help the sector unlock growth and relevance.

Her strategic vision is shaped by nearly eight years’ immersion in business innovation frameworks at the Clayton Christensen Institute for Disruptive Innovation, founded by Harvard Business School’s renowned professor, the Father of Disruptive Innovation.

Learn more here.

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